Tuesday, 14 April 2009

A mystery marriage in Barton-under-Needwood (Part 1)

The three cartes de visite which are featured in today's blog article have been in my collection, as the result of an eBay purchase, for a couple of years. To be honest, I've looked at them several times as possible subjects for Photo-Sleuth and each time have put them into the too hard basket, probably merely of local or topical interest. On the most recent occasion I chanced upon a line of enquiry which is now leading me on a lengthy research journey. This journey is not yet complete, and I still don't know whether I'm nearing the pot of gold or merely barking up the wrong proverbial tree. However, I would like to share some of the excitement in the discoveries that I'm making with readers, and have decided that the best way to do this particular one would be through a series of installments. I hope that will give more of a feel for the breakthroughs and/or disappointments as the investigation proceeds.

As always, I value comments and suggestions on how to proceed, either as comments (below) or by email (here).

Image © and collection of Brett Payne

The first portrait shows what appears to be a wedding group, with the bride and groom seated, and three men standing behind them. It is an outdoors portrait, with the group arranged on a checked blanket in front of a building with a painted or whitewashed brick wall, a door and a low window. The door may be a double one - it is difficult to see clearly. The window is so low down in relation to the door and ground level that it probably opens into a basement room.

The bride, looking down towards the ground in front of the photographer, is dressed in white wedding gown with veil, and is holding a bouquet of flowers. Unfortunately, the effect of the bright sunlight on the white dress has meant that little of its shape and form is visible. The groom, also looking slightly downwards and to the right, is dressed in a dark frock coat with matching trousers and waistcoat. He has a chain attached to a button of the waistcoat, perhaps with the other end securing a fob watch hidden in a hip pocket.

The three men standing behind the bride and groom are all wearing double-breasted frock coats with flowers in their lapels. Only the man on the right, who looks to me to be in his mid- to late twenties, with a moustache and very full beard, carrying a top hat, is staring directly into the camera. To his right is a man with a moustache and Dundreary whiskers, perhaps in his late twenties or thirties. On the far left, is the youngest man in the group, with both hands resting on the groom's shoulders.

Image © and collection of Brett Payne

The second photograph is an unusual one for this period. It shows a woman dressed in dark clothes, wearing a hat, a bead necklace and dangly earrings, feeding something to two rather well behaved dogs, one fairly large and the other much smaller. The action takes place on a cobbled courtyard in front of what appears to be a large painted wooden double door with a simple, open latch. I have been unable to decide whether or not this woman is the same one who appears as the bride in the previous photograph.

Image © and collection of Brett Payne

The last CDV is in landscape format and shows a horse, dark with a white blaze on the left rear foot, being held by a man with reains attached to a bridle, on a cobbled courtyard and in front of the same double wooden door which appears in the previous photograph. I don't believe this man appears in the group photograph. His clothing, although fairly smart, is perhaps not as formal, and although his face is a little blurred, perhaps from movement, he doesn't look like any of the four in the wedding party.

Image © and collection of Brett Payne

The reverse of all three card mounts is identical. It shows a simple 1860s-style belt motif containing the words, "Farmer, Photographer / Barton-under-Needwood."

The design on the reverse of the card mount is typical of those from the mid- to late 1860s. However, from the thickness of card, the square the corners, the poses of the portraits, and the style of clothing worn by the subjects, I would estimate initially that it was taken in the late 1860s or early 1870s (this without any further information about the photographer or subjects).

In Part 2 I will investigate the photographer.

Henry & Henrietta Payne – A “Noble” Life


The theme for the 12th edition of the Smile for the Camera Carnival, hosted as usual on the blog Shades of the Departed, is “A Noble Life.” The connotation of this word that immediately occurs to me is akin to the first part of the Oxford English Dictionary (OED) definition:

nō’ble 1. a. Illustrious by rank, title, or birth, belonging to nobility;
I don’t really know of anyone in my extended ancestral family who fits that rather grand description and, to be honest, I don’t really think that is what "Smile" host footnoteMaven contemplated. She elaborates:

“Show us a photograph of an ancestor, relative, or friend that is the embodiment of A Noble Life. A life that is worthy of those who came before and those who follow after. A Life filled with small but courageous acts; filled with love and honor. A simple life, an ordinary life, A Noble Life.”
The second part of the OED definition continues thus:

... of lofty character or ideals; showing greatness of character, magnanimous, morally elevated; splendid, magnificent, stately, imposing, impressive, in appearance; excellent, admirable.
A splendid cabinet card portrait of my great-great grandparents Henry Payne (1842-1907) and Henrietta Christina Benfield (c.1843-1914) comes immediately to mind. In that sense, I suppose that between them, they did lead what could be thought of as “noble” lives. I don’t have much direct evidence of the personal character of either of them, but I believe a great deal may be interpreted by a reader from an account of the experiences that shaped their lives, together with some contemporary reports.

Naturally, as was often the case in the male-dominated Victorian times through which they lived, it was Henry’s life which left the most significant paper trail, and has therefore been the most fruitful to research. I have little doubt, however, that Henrietta’s character was of no less influence in the lives of her children, grandchildren and those around her, even if her activities may have been conducted in a somewhat less public manner.

Image © and collection of Brett Payne, Colourised by Andre Hallam
Henry & Henrietta Payne, c. April 1898

This photograph of Henry and Henrietta was taken at the Frederick J. Boyes’ Electric Daylight Studio at 22/24 Osmaston Road, Derby, around April 1898. I can’t be sure what occasion might have precipitated their visit to a photographer, but it may have been to mark Henry’s recent retirement from the building trade. Henry would shortly celebrate his fifty-sixth birthday; Henrietta was only a few months younger, and they had been married for thirty-three years. They had seven children – four boys and three girls – and their second grandson had been born in January that year. Henry’s duties as Vaccination Officer to the Borough of Derby, a post to which he had been appointed some thirteen years earlier, would now became his primary focus during his semi-retirement.

Image © the Derby Local Studies Library & courtesy of Angela Hercliffe
139 St James' Road, Normanton,
the home of Henry & Henrietta Payne,
1893-1902

By this time Henry and Henrietta were settled residents of Normanton, a southern suburb of Derby, where they lived in a large house that Henry had built at the western end of St. James’ Road in 1893. Their two eldest sons Charles Vincent and Charles Hallam, both married by this time, lived further down St. James’ Road in two houses opposite each other on the corner with Hastings Street. Vincent had set himself up as an estate agent, while Hallam had taken over the family shop, a grocery and off-license, which they had been operating for twenty-two years. The younger children were all still living at home. Frank had been appointed vaccination officer for Burton-upon-Trent a year earlier. Lucy Mary was probably working as domestic servant, although she became a stationer’s assistant a short time later possibly at Clulow’s in Derby. Fred and the two youngest girls Lily and Helen, aged 18, 16 and 14, respectively, were presumably still at school.

This settled scene is perhaps indicative of the environment in which their grandchildren, including my grandfather, grew up in the 1890s and early 1900s. However, it was a sharp contrast to the several decades of drive and hard work that it had taken for Henry and Henrietta to overcome the enormous hurdles which beset their early years.

Henry was born on 8 May 1842 in the Staffordshire brewing town of Burton-upon-Trent to a carpenter/wheelwright Peter Payne (1801-1845) and his wife Ann Tipper (1807-1857). Their three earlier children born between 1833 and 1840 had all died in infancy, so Henry’s prospects from the start were not great. Not many details of his father’s life are known, except that he suffered badly with asthma, from which he died in February 1845, three months before Henry’s third birthday. Ann’s mother had died the previous year in Church Gresley, and in the interim her stepfather had remarried and moved south to Warwickshire. She had several half-siblings but they were poor and had young families of their own to look after. Peter’s parents had died in 1839, leaving little in the way of an inheritance, while most of his siblings had moved away, either to other counties or abroad.

Ann’s sister-in-law Harriott Bagnall, a widow like herself, remained in Church Gresley with her five children. The four young Bagnall sons, barely in their teens, supported the family by working in the coal pits. It is possible that Ann and Henry went to stay with them, but they may also have visited Ann’s half-sister Dorothy Lunn née Benfield, whose husband William Lunn was working as an agricultural labourer in Church Gresley and Woodville.

Image © 2007 Brett Payne
The Parish Church of St. Stephen the Martyr, Woodville, 2007

On Wednesday 1st March 1848 Henry was enrolled among the first intake of 150 day scholars at the then newly built St. Stephen's Daily and Sunday School at nearby Woodville, two months before his sixth birthday. Less than a fortnight later Henry was baptized at the parish church of St. Stephen's.

On 25 April 1850 Henry's mother Ann was caught stealing several items in the High Street, Burton-upon-Trent. She was imprisoned in Stafford County Gaol on a charge of theft, and three weeks later, on 14 May 1850, Henry was admitted as ‘destitute’ into the Ashby Union Workhouse, situated on the Loughborough Road north-east of Ashby-de-la-Zouch in Leicestershire. Ann was charged at Stafford County Court with two counts of larceny, to which she entered guilty pleas. The first complainant was William Brunt, a tailor, draper and hatter, from whom she had taken two jackets, worth one pound, and a cloth cap, valued at four shillings. The second was William Stanley, a butcher, and the theft this time was of three pounds of beef, valued at one shilling.

Image © and courtesy of Staffordshire Past-Track
Reception Ward, Stafford Gaol, c.1869-1871
Image © and courtesy of Staffordshire Past-Track

She was found guilty of the charges, although in mitigation it was stated that she suffered from epilepsy, and the crime was considered to have been committed "while in a state of unconsciousness and absence of mind." Even without the epilepsy, it is not difficult to imagine Ann's dire circumstances: no husband, no close family, no means of income and an eight year-old child to care for. She joined her son in the workhouse roughly eight weeks later after her release from incarceration.

Image © and collection of Brett Payne
Workhouse or childrens' home, c.1880s
possibly in Nottingham

Henry and Ann appear to have spent most of the next five years in the workhouse. The Admittance & Discharge Registers show a series of comings and goings, with their spells outside the workhouse each being of only a few days’ duration. Worthy of note is the comment written at the time of Ann's re-admittance on Thursday 8th June 1854, stating that she was still "of unsound mind." The last known register entries for them show Henry still in the workhouse in October 1854, and Ann as an inmate in July 1855.

Image © and courtesy of Dover History

On 20 September 1857, Ann Payne died as the result of a terrible accident. The following is a report of the inquest from the Leicester Chronicle dated 3rd Oct 1857:

HARTSHORNE - An inquest was held on the 22nd ultim at Hartshorne, on the body of Ann Payne, widow, aged 50 years, whose death took place the Sunday morning previous from the effects of burning. The deceased was sitting alone in the workhouse, about nine o'clock at night, when, being suddenly seized with a fit (to which she was a subject), she fell against a table upon which there was a lighted candle, which candle falling upon her set her clothes on fire, the whole of which were consumed. The deceased lingered a few hours in excruciating pain, and the body on being viewed by the jury presented a most frightful sight. A verdict of "Accidental death" was returned.
Workhouse Funeral a Poor Woman is Distraught as the Body of Her Husband is Carried Away, by F. Wentworth

She was buried two days later in the parish churchyard of St. Peter’s, Hartshorne.

According to family legend, Henry started work at the age of nine hauling in a clay pit. He was then reputedly bound to a cobbler, but ran away and worked on farm at Smisby, and possibly other farms, till he was eighteen. Although I haven’t found documentary evidence of this, it was common practice for workhouses at this time to “farm out” children to various employers. It is conceivable, therefore, that Henry may have worked in a pit belonging to one of the several earthenware and firebrick makers in the Woodville area. The Ashby Workhouse had some ten acres of land, most of it under pasture, but the inmates using “spade husbandry” cultivated about three acres. The nearby village of Smisby was mainly an agricultural community, and Henry could have worked at any of a number of farms in the vicinity.

Image © & collection of Brett Payne
Unidentified policeman from Chesterfield, Derbyshire, c.1870

On the 18th February 1861 Henry joined the West Bromwich Police Force, having spent a year or so in partnership with his cousin Thomas Benfield as a blacksmith at Princes End, near Birmingham. The change seems to have suited Henry very well. He rose quickly through the ranks and in the space of just over two years - by June 1863, soon after his twenty-first birthday, he had become the youngest sergeant in the force. However, Henry had itchy feet, and after resigning from the force on 7 July 1864, he moved to Burton-on-Trent and found work as a night watchman with the brewery firm of Ind Coope & Co., whose premises were at 120 Station Street. Five months later he married Henrietta Christina Benfield at Christ Church in Burton, describing himself as a book-keeper.

Image © & courtsey of Fabulous Masterpieces
Edouard Manet, A Bar at the Folies-Bergère, 1882
Courtsey of Fabulous Masterpieces

Information about Henrietta’s early life is still very sketchy and mostly reliant on secondary sources. Family legend has it that she was the illegitimate child of a chamber maid or barmaid who worked at a pub or small hotel in Burton-upon-Trent, the father being a wealthy-Jewish American industrialist named Gold. According to census records, she was born between 1840 and 1843 in Notting Hill or Camden Town, London. The identities of neither of her parents are very clear, but the painting of a barmaid at the Folies-Bergère by Édouard Manet is the image that always comes to my mind when I think of her mother. It seems very likely that Ann Tipper’s half-sister Dorothy Lunn informally adopted her, although the 1851 Census actually shows her lodging with an apparently unrelated family at Woodville. A decade later she was working as a housemaid for a retired army surgeon and his family in the village of Tutbury, northwest of Burton.

Shortly after their marriage they moved to Derby, where Henry found employment with Midland Railways as a pointsman. Having saved ten pounds, and assisted financially by a local solicitor named Sale who for some reason took a shine to him, Henry started building houses in the suburb of Litchurch. Henrietta, in between giving birth to and looking after three boys between 1868 and 1874, operated a shop from their successive homes in Douglas and Grange Streets, being described in various documents as a provision dealer, grocer, baker and off-license holder.

In September 1870, Henry made a trip to the United States. According to his son, he first "traveled to Virginia, looking for a farm. He put his watch and chain on a farm in or near Omaha, Nebraska, but didn't take it up." One of Henry’s granddaughters claims that Henry went looking for Henrietta's father, Mr. Gold. Whatever the reason, it appears that he must have returned to Derby after just a few months.

Image © and courtesy of Barbara Ellison
83 St James' Road, Normanton
The Payne family shop, 1876-1940s

In 1875 Henry built a house in St James' Road, Normanton for a curate. For some unknown reason, the curate never seems to have taken the house, so the family instead moved there, marking the start of a Payne association with that street which lasted for some eight decades. They successfully applied for an “out-door beer license” and opened a new shop in the part of the house situated on the corner with Hastings Street. Between the late-1870s and the early 1890s, Henry developed most of St James' Road and the adjacent Crewe Street, building a total of about 50 houses there, chiefly for letting.

In late 1877 Henry Payne left Derby with his family, by then including a daughter Lucy Mary almost a year old, and spent a few months living at Ash House, Turnditch, where it is possible that he built a new infants classroom at the National School. In August 1878, they returned to St James' Road, and the two older boys were re-enrolled at St Andrews Middle Class School, Litchurch. Henry had the off-license transferred back to his name on 8 October 1878.

Then in late 1879, Henry made a bold decision to try again to emigrate with his family to the United States, and an advertisement appeared in The Derby Mercury offering for sale "29 dwelling houses & business premises situate in Litchurch and New Normanton ... with instructions from Mr. Payne (who is leaving England.)" Henry sailed with his 13-year-old eldest son Charles Vincent from Liverpool to Philadelphia on board the S.S. British Crown, arriving on American soil on 2 March 1880, and "took up" a farm near Bladensburg, about four miles north-west of Washington D.C. They must have moved fast to find the farm and get the crops planted by late April or early May, and the census taken the following months shows a farm labourer Thomas Cash boarding with them.

Image © the British Library and courtesy of Gale Collections
Advertisement in The Derby Mercury, 26 May 1880

Henrietta had given birth to their fourth son Fred at St. James' Road in December the previous year, and probably waited in Derby for Fred to get a little older, and for word from Henry, before setting out to join them. She was probably also taking care of important financial and administrative matters. A sale notice in The Derby Mercury dated 26 May 1880 offers for sale "the whole of his superior household furniture and effects" by "Mr Henry Payne (who is leaving England.)"

Henrietta left Derby for the docks at Liverpool, nursing Fred and with Hallam, Frank and Lucy Mary in tow, in late June. It must have been some adventure for the children, and not a mean feat for Henrietta to achieve with four small children.

Image © and by kind courtesy of the Maryland Historical Society Library
Port of Baltimore c. 1875

They arrived at the bustling port of Baltimore on 7 July aboard the SS Hibernian and joined Henry and Charlie at the farm shortly after. Even after the rigours of an Atlantic crossing, they do not seem to have had much time for rest and recuperation. "After being there about two days Hallam fell out of buggie and broke right arm ... went to hospital in Washington for 4-5 weeks." In the meantime, Charlie "went into Washington one day and as he came back was set upon by two niggers." Of far greater importance, "Mother was bad through change of climate." They returned to England soon after Hallam's recovery, "leaving all crops growing (2 nigger cabins on farm)," by 16 November 1880, when the beer license for the shop in St James’ Road was transferred back into Henry’s name. The UK census dated 3 April 1881 shows them again running the family grocery at 38 St. James' Road.

While they had been in America a new school, St James’ Road Board School, had been completed directly across the road from the shop, and Charlie, Hallam and Frank all enrolled there. Henrietta had two more girls, Lily and Helen, in March 1882 and October 1883, respectively. Henry went back to building more houses in St. James' Road and Crewe Street. A plan dated January 1885, by Edward Fryer, Architects & Surveyors is entitled, "Proposed Houses - St. James' Road Derby - for Mr Payne." In August 1887, Henry tried to obtain a full license as an "innkeeper or victualler, retailer of beer, wines spirits and liqueurs (to be drunk on the premises) at a house and shop situate at 38 St. James’ Road." Several local landowners and residents, clergymen from nearby churches, and members of the School Board strenuously opposed this, and it was denied. He tried again, also unsuccessfully, in August 1891.

In January 1883 Henry, who described himself as a house agent, made an unsuccessful attempt at election to the post of Relieving Officer for the Derby Board of Guardians. Two and a half years later, on 29 September 1885, and "after a spirited ballot," he was elected by the Board of Guardians as Derby’s first Vaccination Officer, a position which he was to hold for the next twenty years. The Derby Poor Law Union administered the post from offices at Becket Street in Wardwick, Derby. By his own admission, the duties involved resulted in him being "the most hated man in Derby," and occasionally brought him into conflict with his employers. The Minute Books of the "Dispensary Visiting Committee" of the Derby Board of Guardians contains numerous references to Henry and his work. A resolution made in July 1891 demonstrates the prejudice existing against "arm-to-arm" methods, and notes the introduction of a Calf Lymph vaccine. Statistics quoted show that by the first half of 1893, Henry was already vaccinating 100 people a month, representing roughly half the births in the borough. The minutes include numerous records of legal proceedings initiated by Henry against defaulters, as well as several occasions where Henry had disagreements with the Board, mostly concerning remuneration for his services. Henry eventually retired from this post in about 1905.

Image © and courtesy of PortCities London

A newspaper obituary written for Henry in The Derby Mercury after his death in April 1907 contained the following:

"He carried out his duties in strict accordance with the orders of the Local Government Board in London, and his action was often made the occasion of adverse criticism on the part of local anti-vaccinators. Mr. Payne was a conscientious man who had a keen sense of duty, and did it. The nature of the official position which he held was perhaps not exactly one that conduced towards the making of hosts of friends. Still, those people who had more than a passing acquaintance with the deceased gentleman could not help but know of many sterling qualities which lay beneath a somewhat brusque exterior."
The April 1891 Census showed Henry and Henrietta at the house/shop on the corner of St. James’ Road/Hastings Street with five of their children. Apart from his vaccination duties, Henry was listed as a rent collector and still held the "off beer licence," although it was Henrietta who ran the shop. Presumably this rent was from houses that he had built and still owned, as he was still shown as a builder in trade directories and other documents as late as 1896.

When Charlie and Hallam returned from Chicago in November 1892, after working on the World's Columbian Exposition, Henry employed them to do joinery and other building work on houses that he was building in Crewe Street. They may also have worked on the large house that Henry built at the western end of St. James’ Road, number 139 which they named “The Hollies,” and into which Henry, Henrietta and the remaining children moved in 1894. It was about this time that Henry retired from the building business and Henrietta from an active role in the shop. Charles Vincent, his wife and young son moved into the shop, took over the licence in June 1894 and ran the family business for a couple of years, but then turned it over to Hallam and his wife in February 1896, and became an estate agent. Presumably he was managing the family’s growing property portfolio which, apart from his parent’s numerous houses, may have included properties that Charles Vincent and Hallam were developing and leasing out.

By April 1901 they still had five children living at home, although all except the youngest Helen were working. A year later, Henry and Henrietta retired to a house in nearby Sunny Hill, while Charles Vincent, Amy and their two children moved into number 139.

Henry died at 1.00 pm on Monday 1st April 1907 at "The Hollies," Sunny Hill after being ill for some time and was buried later that week at Normanton Cemetery. Among the hymns sung was "Now the labourer's task is o'er", fitting perhaps for someone who had worked hard from the age of nine almost until his death at the age of sixty-five to achieve so much.


Henrietta Payne, c.1910

Henrietta moved back to 139 St James’ Road and lived there until her death on Wednesday 18th February 1914. A memorial service was held at St. Augustine's Church on the following Sunday, and she was buried in the family plot at Normanton Cemetery.

Thursday, 19 March 2009

Sidewalk Photographers - the other side of the coin

Having read my previous article about sidewalk or pavement photographers, and the subsequent comment by Sheri, a regular reader sent me the following example which perhaps doesn't demonstrate the best qualities of the art. I had to laugh, even if I felt a little bad about doing so, and I can't resist reproducing it here, although the names will have to be witheld to protect the guilty parties - that is, me and that other fella.

Nobody's claiming this one!

This is from his email:

Sheri says "... I think that photos that have not been "posed" for make the best ones. I'm not too sure I agree with her. When I came across this one of ... circa 1930 in Lowestoft, it was so awful a reminder of those two relations that I decided to put it on Ebay for a Lowestoft PC collector. It was quickly snapped up !!
Enough said?

Sunday, 15 March 2009

Sidewalk Photographers, Bournemouth & Great Yarmouth

Sheri Fenley, The Educated Genealogist, has this week written a very interesting and informative article about Sidewalk Photographers in her role as guest author over at the footnoteMaven's Shades of the Departed blog. I thought I would take this opportunity to show off a series of these candid shots from my own family collection. Sheri talks about the quite different character of the photos taken by sidewalk artists and, in particular, how the unstaged nature of the shots often resulted in "a captured moment in time unlike any other." I have noted another benefit of having these pictures in one's archives - they often include people who, for whatever reason, otherwise didn't have their portraits taken very often.

Image © and courtesy of Barbara Ellison
Uncle Hallam & Aunt Sarah, Dated in pencil, 10 June 1931
Postcard format (89 x 139mm) by Jackson's "Faces" (1921),
Great Yarmouth & Gorleston-on-Sea
, Collection of Barbara Ellison

My great-great-uncle Charles Hallam Payne (1870-1960) and his wife Sarah Emma née Parker (1870-1946) were well off enough to be able to retire from running the family grocery and off-licence at a relatively young age, in 1914. I doubt that this was due to the roaring success of the shop. It was more likely to have been the result of a steady and comfortable income produced as rent from houses inherited from his father Henry Payne, who died in 1907. Anyway, when they were in their late forties Hallam and Sarah handed the shop over to younger brother Fred Payne (1879-1946) and moved from St James Road in Normanton to Dale Cottage near Ingleby in South Derbyshire. (I have blogged previously about Dale Cottage here.)

Image © and courtesy of Barbara Ellison
Uncle Hallam
Inscribed in pencil, June 1932, Bournemouth
Unidentified photographer, Paper print (65 x 60mm)
Collection of Barbara Ellison

One of the things this steady income enabled them to do was to take regular holidays to the seaside, and the family photograph collections include an interesting series of photos of "Uncle" Hallam and "Aunt" Sarah (as they were known to my father and his sister) promenading in Bournemouth and Great Yarmouth in the 1930s.

Image © and courtesy of Barbara Ellison
Aunt Sarah & Uncle Hallam
Inscribed in pencil, at Bournemouth, June 1933
Postcard format (90 x 140mm), unidentified photographer
Collection of Barbara Ellison

One of them is of Hallam by himself - perhaps Sarah was indisposed that day - but most show Sarah as well, and since I have few others of her from this period, they are particularly valued.

Image © and courtesy of Barbara Ellison
Uncle Hallam & Aunt Sarah
No inscription, but dated September 1933, Bournemouth from others in sequence
Strip of two photos (each 70 x 63mm), Unidentified photographer
Collection of Barbara Ellison

The autumn of 1933 seems to have been a particularly active period for the street photographers of Bournemouth, as they seem to have caught Hallam and Sarah at least four times.

Image © and courtesy of Barbara Ellison
Uncle Hallam, Aunt Sarah & Christine Payne
Inscribed in pencil, Bournemouth, September 1933
Strip of two photos (each 89 x 67mm), Unidentified photographer
Collection of Barbara Ellison

Some of the shots show them walking with their niece Christine Payne (1910-2001), daughter of Hallam's younger brother Fred.

Image © and courtesy of Barbara Ellison>
Uncle Hallam, Aunt Sarah & Christine Payne
Inscribed in pencil, Bournemouth, September 1933
Paper print (each 89 x 70mm), Unidentified photographer
Collection of Barbara Ellison


Image © and courtesy of Barbara Ellison
Uncle Hallam & Aunt Sarah, Inscribed in pencil, June 30/37
Postcard format (91 x 140mm)
by Jacksons "Faces" 1921, Great Yarmouth and Gorleston-on-Sea

In 1937 they were captured in the precise spot, and by the same photographer, where they had been holidaying six years earlier ...

Image © and courtesy of Barbara Ellison
Uncle Hallam & Aunt Sarah
Inscribed in pencil, July 5th 1938
Postcard format (90 x 140mm)
by Jacksons "Faces," Great Yarmouth and Gorleston-on-Sea

... and again the following year, although the location is rather blurred and not possible to identify with certainty.

Image © and courtesy of Barbara Ellison
Uncle Hallam & Fred Payne
Undated but probably in the late 1930s
by Lacey's Happy Snaps, Alum Chine, Bournemouth

The last photo in the sequence shows Uncle Hallam with his brother Fred (father of Christine, shown earlier) out walking at Bournemouth. It is unfortunately undated, although I believe it was probably taken in the late 1930s.

Saturday, 14 March 2009

Dwight Minns Ware of Springfield & Boston, Massachusetts

Today's portrait is what is commonly referred to as an orphan and, to me at least, this means that it has become separated from any family ownership. There are several popular online photo archives which seek to reunite such orphan photographs with descendants or family members, of which perhaps the most well known is the catchily named DeadFred run by Joe Bott. I don't intend to duplicate the admirable efforts of such monumental enterprises, but I would occasionally like to record some of the "orphans" that come my way with a brief account on what I've been able to discover. If that does result in some family member eventually stumbling across this story through the wonders of Google, enabling me to reunite the photograph with the family, then so much the better.

Image © and collection of Brett Payne & courtesy of Irene Savory

This cabinet card showing a mother and young child was sent to me recently by a friend in Massachusetts, who came across it in a deceased estate sale, although she knew that the deceased had no connection with the subject of the photograph. The card mount identifies the photographer as Chauncey L. Moore of Republican Block, Springfield, Massachusetts.

Image © and collection of Brett Payne

Fortunately. the reverse has a clearly inscribed name, age and date, which makes researching the subjects a great deal easier.
Dwight Minns Ware.
14 months old.
1886
This is clearly the child in the photograph, and it seems fairly safe to assume that the woman is his mother. Although the exact date which the portrait was taken is not given, just the year, this is enough to provide an approximate date of birth for Dwight M. Ware as late 1884 or 1885. Without boring you with all of the intricate details of how I did it, I managed to find him very easily in the 1900 Census, then aged 14, and then, by going back and forwards in the census records, to outline his immediate family in some detail.

Image © National Archives and Records Administration & courtesy of Ancestry.com
US Federal Census, 297 Walnut Avenue, Boston Ward 21, Suffolk, Massachusetts
4 June 1900
Image © National Archives and Records Administration & courtesy of Ancestry

In fact, this is one of those occasional cases that one comes across where an individual rather improbably appears twice in the same census! He is shown both living at home with his parents at 297 Walnut Avenue, Boston (Massachusetts) (above), and as a student attending Morristown School in Morris, New Jersey (below).

Image © National Archives and Records Administration & courtesy of Ancestry.com
US Federal Census, Morristown School, Morris, New Jersey
9 June 1900
Image © National Archives and Records Administration & courtesy of Ancestry

I suspected that the census for the two locations may not have been done on exactly the same date, which might explain why both enumerators managed to catch him, so I checked the dates noted at the top of the enumerators' schedules. Ward 21 in Boston (MA) was enumerated on 4 June 1900, while that for Morris (NJ) one was done on 9 June 1900, so I suppose it is quite possible that he left for school some time in the five intervening days.

Dwight Minns Ware was born in September 1885, the third child (and first son) of Leonard and Laura Ware of Boston, Suffolk, Massachusetts. His father Leonard Ware (b. 1840) was one of ten children of an oil dealer Leonard Ware senior (1805-1888) and his wife Sarah Anne Minns (1816-1884), prominent citizens of Roxbury in Norfolk County.

Image © Richard E. Stevens and courtesy of the Unitarian Universalist Society of Amherst Stained Glass Treasures
John La Farge's Triptych stained-glass window, All Souls Unitarian Church, Roxbury, Massachusetts
Image © Richard E. Stevens and courtesy of the Unitarian Universalist Society of Amherst

The lives of Leonard and Sarah Anne Minns were commemmorated in the right-hand panel of a stained glass window in All Souls Unitarian Church of Roxbury, Massachusetts by the celebrated John La Farge, one time mentor of Louis Comfort Tiffany, commissioned by their children in 1889, shortly after their deaths. According to Kyle Cave the windows were were later removed from the Roxbury church, and in 1925 installed in the building that now houses the Unitarian Universalist Society of Amherst, where they remain today.

Leonard Ware junior married at the age of forty, on 7 January 1880, to a girl fifteen years younger than him, Laura Dwight Foote in her home town of Springfield, Hampden County. They settled in Boston, where Leonard worked as a fish oil merchant. In the 1900 Census, however, he described himself as an estate trustee and he had retired by 1910.

Image © and courtesy of the New York Times Article Archive
Obituary of Delia Dwight Foote, New York Times, 28 May 1897
Image © and courtesy of the New York Times Article Archive

Laura Dwight Ware, the presumed second subject of this portrait, was born on 7 September 1855, one of at least six children of Homer Foote (1810-1898) and Delia Dwight (1814-). Her father was a hardware merchant in Springfield and her mother a daughter of the "merchant prince" of Springfield, James Scott Dwight. Her mother's obituary, from the New York Times of 28 May 1897, gives some indication of the family's status in the Springfield community of the late 19th Century.
Delia Dwight Foot, wife of Homer Foot, a prominent public man of Springfield, Mass., died yesterday afternoon in Springfield in the eighty-fourth year of her age. She was the daughter of the late James Scott Dwight, one of the oldest residents of Springfield, and known as the "merchant prince," from the extensive mercantile business he conducted. In 1834 her marriage to Homer Foot, son of Adonijah Foot, Armorer of the National Armory of Springfield, took place. After her marriage she continued her residence in her native town, taking a leading part in the social life of the community. Homer Foot, her husband, was a wealthy hardware dealer, and at the time of Lincoln's first campaign in National politics was nominated for Lieutenant Governor of Massachusetts against his will. he did not withdraw his name, however, and polled a vote of some 53,000, which was a strong showing, although not enough to elect.

Mrs. Foot was herself the last of a family of twelve children, and the mother of ten children, all of whom attended the golden wedding of their parents twelve years ago. One since died at the age of fifty years, and there remain six sons, three daughters, ten grandchildren, and four great-grandchildren of her decendants. Of the sons, for live in New York. They are Emerson Foot, Cleavland Foot, Sandford D. Foot, and James Dwight Foot. Funeral services and interment will be at Springfield.
The golden wedding anniversary celebration referred to above would have taken place in May 1884, some sixteen months before the birth of Mrs. Foot's grandson Dwight Minns Ware. Dwight's parents would probably have attended the event with his two older sisters Anna and Laura, then aged three and one respectively.

Image courtesy of The Internet Archive Archive.org
Chauncey L. Moore's studio at 441 Main Street, Springfield MA, c.1884
Engraving from King's Handbook of Springfield Massachusetts

It seems likely that Laura and Dwight Ware visited the studio of Chauncey L. Moore at 441 Main Street, Springfield on another such visit to the home of his maternal grandparents. If Dwight was 14 months old at the time, and we know that he was born in September 1885, then the visit probably took place in November or December 1886. The photographer was well established, as shown by this extract from King's Handbook of Springfield Massachusetts [Courtesy of the Internet Archive]:
Chauncey L. Moore has been a photographer in Springfield for twenty-eight years, and is now the longest-established photographer in Hampden County. His gallery at No. 441 Main Street, opposite Court Square, has been occupied by him for twenty consecutive years, and is familiar to all who ever have occasion to come to this city. Since he began here, Mr. Moore has photographed almost all the men, women, and children who have been noteworthily identified with this locality. Almost every Knight Templar, Mason, Odd Fellow, clergyman, public officer, and business man has sat for his picture in this gallery; and to-day there are here nearly thirty thousand negatives carefully put away, all registered and classified. Here, too, may be found the negatives of hundreds of buildings and views made during the score of years just passed.
Image courtesy of The Internet Archive Archive.org
The "Springfield Republican" Block, Springfield MA, c.1884
Engraving from King's Handbook of Springfield Massachusetts

The mount of the cabinet card shows Moore's studio at the "Republican Block" in Springfield. As shown in the engraving above, also from the Handbook, this was a four-story building housing The Springfield Republican newspaper, and perhaps it was additionally the location for a branch studio for Moore by 1886.

Although his family had lived in Massachusetts for generations, Dwight Ware moved away in his early twenties. The 1910 Census found him lodging in Minneapolis, Minnesota, where he was working as an electrical supplier's salesman. By 1920 he was living in Seattle, Washington, and that appears to be where he settled, marrying in the early 1920s and having two sons, William (1923-2002) and Leonard (b. 1928). The 1930 Census shows the family living at Sunrise Terrace, Lake Forest Park, north of Seattle.

Dwight M. Ware had a younger brother born in 1900, also named Leonard, who studied at Harvard University and became a newspaper journalist. He was a veteran of both World Wars, serving as a Lieutenant in the Naval Reserve intelligence in the 1940s. After the Second World War, he worked for the Boston Herald and was employed as a public affairs officer with the U.S. government.

That's about the limit to what I've been able to dig up about the immediate family - parents, grandparents, siblings, wife and children - of Dwight Minns Ware. If any reader can come up with further relevant material to add to the story, or clues to searching out any surviving descendants of his, please feel free to contact me, and I'll add it to the article in the form of a PS. Of course, if any descendant should happen to read this, I'd be happy to pass on the original photograph.

References

1870-1930 US Federal Census, National Archives and Records Administration, Indexed images from Ancestry.com
World War One Draft Registration Cards, Indexed images from Ancestry.com
International Genealogical Index (IGI), online at FamilySearch from The Church of Jesus Christ of Latter-day Saints
New York Passenger Lists, 1820-1957, Online database from Ancestry.com
The New York Times Article Archive from The New York Times
United States Social Security Death Index, online at FamilySearch from The Church of Jesus Christ of Latter-day Saints
Stained Glass Treasures: The stories behind the opalescent art of La Farge and Tiffany (PDF), on the web site of the Unitarian Universalist Society of Amherst
King's Handbook of Springfield Massachusetts, A Series of Monographs Historical and Descriptive, ed. Moses King, publ. 1884 by James D. Gill, available online at Archive.org
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