Showing posts with label Sheffield. Show all posts
Showing posts with label Sheffield. Show all posts

Wednesday, 11 June 2008

A group of railway navvies near Sheffield, Yorkshire

Itinerant photographers were in a good position to take portraits of groups of men working outdoors, particularly those labouring further afield from the main centres.

Image © and collection of Brett Payne

This roughly trimmed cabinet card photograph from my collection shows a group of five young men who appear to be railway navvies. They are certainly dressed suitably for the job, with rough working clothes and heavy boots. They are excavating a channel which may be a railway cutting, although it could well be for some other purpose, such as a canal. They have picks and shovels, and two of the men are leaning against the skips used to transport excavated material away from the rock face, on the rather crooked rails visible in the foreground.

Image © and collection of Brett Payne

Andre Hallam has very kindly provided me with a digitally repaired image of this photograph, for which I am most grateful.

Derived from the terms "navigation engineer" and "navigator," the word navvy (plural navvies) was originally used to describe the workers who excavated the earth for canals in the development of the British canal network during the late eighteenth and early nineteenth centuries. Fortunately, as the great canal-building period was waning, the rapidly growing railway construction industry in the 1830s and later created a huge need for suitable workmen, and navvies filled this need perfectly. Much of the work was done by hand, although explosives were employed when harder rock was met with, particularly in tunnels. (Source: Wikipedia)

Courtesy of the National Museum of Science & Industry and the National Railway Museum

This photograph shows navvies building a railway cutting in a London street in about 1861 (Courtesy of the National Museum of Science & Industry's ingenious web site and the National Railway Museum). The article accompanying the photograph described the navvies thus:
By the standards of the day they were well paid, but their work was hard and often very dangerous. The railway navvies soon came to form a distinct group, set apart by the special nature of their work. They were assembled in huge armies of workers, men and women from all parts of the British Isles and even continental Europe. Many were fleeing famine in Ireland, and some were the ancestors of the 15,000 travellers who live in Britain today. Tramping from job to job, navvies and their families lived and worked in appalling conditions, often for years on end, in rough timber and turf huts alongside the bridges, tunnels and cuttings that they built. In the 1840s there was no compensation for death or injury, and railway engineers like Brunel resisted all efforts to provide their workers with adequate housing and sanitation, or safe working conditions ... The harsh conditions and communal living meant that navvies evolved a lifestyle, culture and even a language of their own. They built a reputation for fighting, hard living and hard drinking. ‘Respectable’ Victorians viewed them as degenerate and a threat to social order, but much of the criticism was unjustified. Despite cruel exploitation and extreme deprivation the navvies achieved amazing feats of engineering, equipped with little more than gunpowder, picks and shovels.
Image courtesy of W.W. Norton & Company and The Warder Collection, NY

The image above clearly shows the working clothes of railway navvies, one of whom appears to be in his mid-teens, somewhere in America, possibly New York (Courtesy of W.W. Norton & Company and The Warder Collection, NY), probably taken in the 1890s or early 1900s. Their tools include shovels, spades and a wooden wheelbarrow.

Image courtesy of the National Archives of Canada

This photograph commemmorating the driving of the last spike in the Canadian Pacific Railroad at White Horse, Yukon in June 1900 (Courtesy of the National Archives of Canada) includes some railway navvies dressed similarly to those in my photograph. They have rough working clothes, wide-brimmed hats or flat caps, and some appear to be carrying picks and shovels.

Image © and collection of Brett Payne

The mount of the cabinet card is stamped on the reverse with a floral design in purple ink containing the photographer's name, Albert Dixon, and his location, Midhope Hall, Sheffield. I don't know anything about this photographer, and would appreciate any information about him, or the possible location of the photograph at the head of this article. Also, if you have an old photograph showing working groups in similar or related professions, I would be happy to feature them in a future article on Photo-Sleuth. (Email)

Tuesday, 13 May 2008

John Stringfellow of Chesterfield and Sheffield

John Stringfellow was born at Ecclesfield, near Sheffield, Yorkshire, in 1833, one of five children of James Stringfellow (1797-1828) and his wife Hannah. John Stringfellow's father died in July 1837 when he was only four, and he and his siblings grew up living with their mother in Attercliffe cum Darnall, near Sheffield. He married Elizabeth Wade Bartram Houlden (b. 1840 Sheffield) at St Phillip, Sheffield on 4 September 1866, and they had three children (a son and twin daughters) between then and 1872. His uncle, and namesake, John Stringfellow (1799-1883) developed a remarkable ability in designing and building light steam engines, and later - with William S. Henson and others - achieved some considerable fame as an aeronautical engineer and his work on the Aerial Steam Carriage.

In his teens he worked as an attorney's clerk, and is shown as such in the 1851 Census (30 March; PRO Ref. HO107/2342/461/1/3), when he was living with his mother and two siblings at Glass House, Attercliffe cum Darnall. It seems likely, however, that he took up photography in the early 1850s, and operated a travelling studio. Adamson (1997) states that John Stringfellow was "formerly of Lyme Regis, Somerset [in] March 1858," and "already a widely travelled itinerant [when he] came to Chesterfield in December 1858." He was briefly in partnership with George Edgar, another itinerant photographer who originally came from Sheffield, in December 1858 and early 1859 at Saltergate, but when Edgar moved on, Stringfellow remained in Chesterfield.

Image © & courtesy of Christine Hibbert
Advertisement from Harrison & Harrod's 1860 Trade Directory
Image © & courtesy of Christine Hibbert

Harrison & Harrod's Trade Directory for 1860, presumably compiled in late 1859, contains an advertisement (shown above) inserted by Stringfellow in which he publicized his availablity to take photographic portraits, including stereoscopic images, still at Saltergate. The 1861 Census (7 April; PRO Ref. RG9/2527/108/24/148), shows John Stringfellow lodging at the Spread Eagle Inn, Beetwell Street, Chesterfield. Both he and fellow lodger Paul Turner are described as "photographist jour.[neymen]."

Adamson (1883 & 1997) states that Stringfellow was working in Chesterfield for at least another year, and infers that between 1862 and 1867 he moved to Sheffield.

Image © The British Library & courtesy of Gale Databases

It seems likely that this was around July 1864, when Stringfellow was ordered, in the County Court at Derby, to be prosecuted for bankruptcy in the County Court at Chesterfield [Source: The Derby Mercury, dated 20 July 1864]. John's first child Henry, who died in infancy, was born at Nether Hallam in early 1867, as were two further sons, John Henry in early 1868 and Percy Edward in August 1870. Percy Edward died in mid-1871.

The first records of him working in Sheffield are for 1867 and 1868, when he operated a studio in Alma Street. By early 1871 (2 April; PRO Ref. RG10/4664/94/34/175) the family was living at 77 Prospect Street, Nether Hallam, and in that year Stringfellow was working from premises at 13a Fargate, taking over from photographer George Washington Unwin, who moved to Matlock Bath in Derbyshire. Adamson next shows Stringfellow at 5 Chapel Walk from 1877, although it is not clear where he was working in the intervening period. Since his predecessor at this address, James Thomas, had apparently moved on by the end of 1871, it is probable that Stringfellow took over the premises at that time, and that trade directory and other listings for the period 1872-1876 have merely not yet been discovered. By 1881 (Census, 3 April; PRO Ref. RG11/4626/94/38) the family had moved their residence to 79 Fulton Road.

Image © & collection of Brett PayneImage © & collection of Brett Payne

The carte de visite portrait of a young family shown above is an example from the Chapel Walk, Fargate studio. From the woman's clothing and the square corners I estimate it was taken some time between 1873 and 1876.

On 17 Feb 1882 the Sheffield newspapers reported that John Stringfellow had died "suddenly on the Midland Railway" at the age of 48, and he was buried at Sheffield Fulwood Christ Church on 22 Feb 1882. His widow and their three children continued living in Fulton Road until at least 1891 (5 April; PRO Ref. RG12/3798/67/36/241). Elizabeth Stringfellow was "living on her own means." Anderson (1983) shows her operating the studio at Chapel Walk in 1887, although he also lists the same premises as continuing under her late husband's name until 1889. It is possible that their surviving son John Henry Stringfellow helped to run the business for a while, although by 1891 he was working as a brass finisher.

References

Adamson, Keith I.P., MSc, ARPS, (Jun 1983) Professional Photographers in Sheffield & Rotherham 1843-1900, Royal Photographic Society Historical group
Adamson, Keith I.P., MSc, FRPS, (Sep 1997) Professional Photographers in Derbyshire 1843-1914, Supplement No. 118 to The PhotoHistorian, ISSN 0957-0209
1841-1901 Census indexed images, from Ancestry
International Genealogical Index (IGI) on FamilySearch
GRO Birth, Marriage & Death Indexes from FreeBMD
The Derby Mercury newspaper, various dates
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