Showing posts with label school groups. Show all posts
Showing posts with label school groups. Show all posts

Friday, 7 March 2014

Sepia Saturday 218: Portraits in the Backyard


Image collection of Brett Payne
Reverse of cabinet card by E. Bosotock, Photographer of Schools, & etc.

Erasmus Bostock worked as a photographer in Derby from the mid-1870s, when he was probably apprenticed to William Pearson, one of the town's earliest practitioners, then operating from a studio in St. Peter's Street. [1] In the late 1870s and early 1880s he had a brief partnership with a photographer named Carr, during which time they worked from a studio at number 8 Macklin Street. [2] He established then established an itinerant trade as a "photographer of schools" from c.1882, not the only local to visit schools, but apparently the only one in Derby who advertised it as a speciality. [3]

Over the following decade, he appears to have concentrated on this type of work: of the dozen or so examples of his work from this period that I have hitherto come across, only one is a conventional studio portrait. Between 1891 and 1894 Bostock moved with his family to nearby Nottingham, where he probably took over a studio from Edward Carnell and continued in business until his death in 1919. [4]

Image collection of Brett Payne
Informal cabinet card portrait of unidentified group
Taken by Erasmus Bosotock of Derby, c. mid-1880s

This informal portrait of what is assumed to be a family group taken by Bostock in a suburban backyard therefore departs a little from his usual fare, and is an important clue to how photographers coped with lean times. I have written previously [5,6] of opportunistic photographers who toured residential suburbs, probably during winter months when business was quiet, looking for potential customers who wanted their photos taken in front of their houses or in their gardens. Some of these professionals worked out of established studios, but many left no mark on their card mounts or, if they did, are not traceable through trade directories.

It is interesting, then, to find such a portrait taken by a photographer who, it has already been established, travelled into the residential suburbs and, we now know, was a "door knocker" when the occasion arose. A small tidbit of information about one of Derby's minor photographers it is, but it adds to the developing picture of the common practices in Victorian Britain.

Sepia Saturday by Alan Burnett and Marilyn Brindley

For more backyard beauties visit the rest of this week's Sepia Saturday contributers.

References

[1] Payne, Brett (2009) All lined up in the school playground in their Sunday best, Photo-Sleuth, 18 October 2009.

[2] Payne, Brett (2006) Erasmus Foster Bostock of Macklin Street, Derby & Nottingham, Derbyshire Photographers' Profiles.

[3] Payne, Brett (2008) More photos from St James' Board School, Photo-Sleuth, 14 September 2008.

[4] Payne, Brett (2013) Sepia Saturday 176: Erasmus Bostock, Photographer of Schools &c., Photo-Sleuth, 11 May 2013.

[5] Payne, Brett (2008) The story behind the picture, Photo-Sleuth, 8 April 2008.

[6] Payne, Brett (2013) Sepia Saturday 163: A photographer at the front door, Photo-Sleuth, 7 February 2013.

Saturday, 21 December 2013

Sepia Saturday 208: An early call for Father Christmas


Sepia Saturday by Alan Burnett, Marilyn Brindley and Kat Mortensen

Among the same set of lantern slides which I have featured previously in two previous Sepia Saturday posts (A Return Trip to Dovedale and Ready with the Bulls-Eye) is this pair of group images. I estimated the other photographs in the collection to have been taken c.1900 to 1910, and identified at least one, and possibly two, of them as having been taken in Derbyshire.

Image © and collection of Brett Payne

The first is a semi-formal group portrait of 17 women who appear to be dressed as maids or house servants. However something about the uniformity of their mob caps suggests to me that they may be dressed for some kind of play, pantomime or variety performance, rather than being employees in a very grand house. I guess that the house would have to be a lot bigger than Downton Abbey to have that number of youngish female servants in residence.

Image © and collection of Brett Payne

Whether these 34 children and their teacher (top right) have just attended a pantomime performance or a party is not clear, but the presence of a visitor from the North Pole (top left) places the event very firmly in December. The development of Santa's image as a plump, jovial, white-haired and bearded elderly man dressed in red with white fur trim largely happened in North America in the late 1800s (with the not inconsiderable help of caricaturist Thomas Nast), and then underwent a reverse migration back to Europe. Given that this image was probably taken in the United Kingdom in the first decade of the twentieth century, I think it must be a very early representation of Father Christmas. He wears a mob cap, rather than the now standard long, floppy pointed cap, but is otherwise much as we see him today.


"Merry Old Santa Claus," by Thomas Nast
from Harper's Weekly, 1 Jan 1881

That's all I have for Saturday Sepians this week. Have a great Christmas holiday and we'll see you again in the New Year. In the interim, if you're in need of some light entertainment, check out the other sepian contributions.

Saturday, 11 May 2013

Sepia Saturday 176: Erasmus Bostock, Photographer of Schools &c.


Sepia Saturday by Alan Burnett & Kat Mortensen

A wealth of topics are suggested by this week's Sepia Saturday image prompt depicting a scene very familiar to me from my school and university days, although I must admit that my efforts in the chemistry laboratory were never very successful. The plethora of bunsen burners, tripods, glass beakers and a shelf of bottles containing reagents are almost enough to overwhelm the class of teenage boys and their teacher, but it is school children to which I'll direct my attention in this post.

Vintage school photos have long intrigued me, and I must confess to a degree of sympathy for the nineteenth century photographer who was called to his neighbourhood school for the annual class portrait sessions. Anyone who has tried to photograph a group of school children will appreciate how tricky it is to capture the attention of all individuals simultaneously, and to prevent any of the more unruly in the class from pulling funny faces just as the shutter is released.

Image © and collection of Brett Payne
Unidentified class portrait by Erasmus Bostock of Derby, c.1889-1892
Large format print (157 x 100mm) mounted on card (166 x 108mm)
Image © and collection of Brett Payne

This class of 55 children - I make it 22 girls and 33 boys, but am unsure of the gender of a few of them - are being very capably supervised by a severe looking older woman at far right, who has one little miscreant firmly in her grasp, and her eagle eye on a troublesome group of boys in the centre. The younger teacher on the left, perhaps an assistant, also has her hand on a young girl's shoulder. The photographer's "hold still" command or some other attention grabbing signal (he's very unlikely to have asked them to "smile for the camera" as smiling wasn't part of the portrait convention for the Victorians) has produced a very successful response. Only two of the children were moving when he eventually exposed the glass plate.

And that is before the complicated processes involved in collodion or wet-plate photography are taken into account [1]. There is evidence suggesting that Erasmus Bostock started his career as a scholastic photographer in the mid-1870s, apprenticed at the Derby studio of William Pearson [2], when wet-plate photography was still very much the norm. Although the gelatin dry-plate procedure was first described by Maddox in print in 1871, it wasn't until March 1878 that an improved technique was published by Charles Bennett in the British Journal of Photography. The new dry plates could be prepared in advance of the sitting, and then processed later, but an additional benefit was that the new gelatin emulsion were considerably "faster," reducing exposure times to as little as a tenth of a second. [3]

Image © and collection of Brett Payne
Unidentified class portrait by Erasmus Bostock of Derby, c.1889-1892
Large format print (162 x 104mm) mounted on card (166 x 107mm)
Image © and collection of Brett Payne

The second portrait, the pair having been purchased together on eBay, was probably taken on the same day, and appears to be a class of 49 slightly younger boys (24) and girls (25). This time there is only one smartly dressed and coiffured school mistress, who is looking after a rather fidgety boy, but the remainder of the class seem pretty well behaved, if a little glum (apart from a talkative girl who moved her head sharply just as the exposure took place). My guess is that somewhere in the two group portraits are two siblings, although there is no indication which school this was and all provenance has sadly been lost.

Image © Brett Payne & courtesy of the Tauranga Heritage Collection
Thornton-Pickard Triple Imperial Extension camera, c.1903-1910s
Image © and courtesy of the Tauranga Heritage Collection

Photographic manufacturers began to produce dry-plates over the next few months from March 1978, and within a few years, the wet-plate process had by and large been abandoned. By the time Bostock took these two portraits around 1890, he would almost certainly have used a dry-plate camera. The dimensions of these prints (roughly 6¼" x 4") suggests that he may have taken two exposures side-by-side on a full-plate (6½" x 8½") device, perhaps something similar to the slightly later Thornton-Pickard Triple Imperial Extension folding bellows camera, shown below, that I recently photographed in the Tauranga Heritage Collection. Many models of folding stand cameras were produced in Great Britain from the 1870s to the 1890s [4], and the excellent Early Photography web site has a wide selection of such field cameras on display [5].

Image © and collection of Brett Payne
Reverse of card mount by Erasmus Bostock of Derby, c.1889-1892
Image © and collection of Brett Payne

Derby had several photographers who were prepared to visit schools - I have seen examples from George Holden, Thomas Lewis, R.K. Peacock, Gervase Gibson & Sons and George Bower [6-9] - but Erasmus Foster Bostock appears to have been the only practitioner to have specialised in scholastic portraits. As evidenced by a class photo taken c.1881-1882 [7], Bostock used a hand stamp rather than cardstock pre-printed with his name for at least a decade. Although this was slightly unusual for a photographer who remained in business in one location for more than a couple of years, it would have been slightly cheaper and would have given him the added flexibility of being able to trim card mounts to suit particular photographs.

Image © and collection of Brett Payne
Unidentified class portrait by E.F. Bostock of Nottingham, c.1900-1902
Large format print (209 x 155mm) mounted on decorated card (261 x 209mm)
Image © and collection of Brett Payne

Between 1891 and 1894 Bostock moved with his family to the nearby town of Nottingham, where he again set up a practice as a schools photographer, operating out of his home at 76 Burford Road (1894-1901) and 32 Maples Street (1901-c.1902) [10-14]. It is during the latter period that I estimate he took this very competent, albeit now somewhat damaged, class photograph of 36 children (28 boys and 8 girls). While the card stock now has a printed design surround the photograph, he was still printing his name and location on the mount.

The imbalance between numbers of boys and girls, the wide range in apparent ages (from 7 or 8 to early teens), and the shape of the door in the background all suggest to me that it was perhaps a Sunday School class. A somewhat hirsute male teacher this time casts a stern eye over his well-behaved charges. I note that several of the pupils have medals pinned to their lapels or, in the case of the girls, bodices - one surprised looking boy has three of them! I hope this was the "Gregory" whose name is pencilled on the back. Apart from this, there are no clues as to location or identity of the subjects.

Image © and courtesy of Simon Collison
Samuel Collison (b. 1886), aged 17 or 18, taken c.1903-1904
Cabinet card portrait by E.F. Bostock of 24 Moorgate Street, Nottingham
Image © and courtesy of Simon Collison, Some rights reserved

Between 1902 and 1903, judging by entries in trade directories of the period, Bostock started operating a portrait studio with premises at 24 Moorgate Street, Radford (now a suburb of Nottingham) [15,16]. This appears to be the same premises occupied by well known Radford photographer Edward Carnell from 1879 until 1901 [14], and I suspect that Bostock took over the business from Carnell on the latter's retirement. That he already had some experience of studio portraiture is clear from the early 1880s portrait in my profile of Bostock. Perhaps he found that catering to schools alone was not bringing in sufficient business, or it may simply have been that he was weary of the seasonal and peripatetic nature of that work, but it seems that from 1903 onwards he concentrated on studio portraiture.

In 1915, he moved again to a studio at 44 Clarendon Street and in 1919, at the age of 61, Erasmus Bostock died after three and a half decades in the photographic business. [18,19] The studio was probably taken over by his son Erasmus James Bostock (1885-1970), who was working as a photographic assistant in 1911 and still described himself as a photographer when he emigrated with his wife and young son to Australia in October 1928. [20-23]

References

[1] Hirsch, Robert (2009) Pictures on Glass: The Wet-Plate Process, Chapter 4 in Seizing The Light (2nd edition), available online on Luminous Lint.

[2] Payne, Brett (2009) All lined up in the school playground in their Sunday best, Photo-Sleuth, 17 October 2009.

[3] Coe, Brian (1976) The Birth of Photography: The Story of the Formative Years, 1800-1900, Great Britain: Ash & Grant, p 38-39.

[4] Coe, Brian (1978) Cameras: From Daguerreotypes to Instant Pictures, United States: Crown Publishers, p 29-40.

[5] Field Cameras, on the Early Photography web site.

[6] Payne, Brett (2011) Sepia Saturday 97: Geo W Holden, Brother of the more famous Jack, on Photo-Sleuth, 20 October 2011.

[7] Payne, Brett (2008) More photos from St James' Board School, on Photo-Sleuth, 14 September 2008.

[8] Payne, Brett (2008) St. Chad's Church Schools, Derby, 1895, on Photo-Sleuth, 10 May 2008.

[9] Payne, Brett (2007) A Derbyshire photographer working afield, on Photo-Sleuth, 15 August 2007.

[10] 1891 Census for 102 Drewry Lane, Derby St Werburgh, Derbyshire Ref. RG12/2731/102/15/95, courtesy of Ancestry.co.uk.

[11] Anon (1891) Kelly's Directory of Derbyshire, Leicestershire & Rutland, and Nottinghamshire, Seventh Edition, 1891, London: Kelly & Co., courtesy of the University of Leicester's Historical Directories.

[12] Wright, C.N. (1895) Directory of Nottingham and Twelve Miles Round, Seventeenth Edition, 1894-1895, courtesy of the University of Leicester's Historical Directories.

[13] Wright, C.N. (1899) Directory of the City of Nottingham, Nineteenth Edition, 1898-1899, courtesy of the University of Leicester's Historical Directories.

[14] Heathcote, Bernard V. & Heathcote, Pauline F. (1982) Leicester Photographic Studios in Victorian & Edwardian Times, publ. Historical Group of the Royal Photographic Society.

[15] Anon (1903) Wright's Directory of the City of Nottingham including the Immediate Neighbourhoods, Twenty-First Edition, 1902-1903, London: Kelly's Directories Ltd., courtesy of Ancestry.co.uk.

[16] Anon (1904) Kelly's Directory of Nottinghamshire, 1904, London: Kelly's Directories Ltd., courtesy of the University of Leicester's Historical Directories.

[17] Portrait of Simon Collison, Image © and courtesy of Simon Collison's Flickr photostream.

[18] Anon (1916) Wright's Directory of Nottingham and Neighbourhood, Twenty-Sixth Edition, 1915-1916, London: Kelly's Directories Ltd., courtesy of the University of Leicester's Historical Directories.

[19] UK General Register Office Death Index entry for Erasmus F Bostock, aged 61, Dec Qtr 1919, Nottingham Registration District, Vol 7b Pg 356, courtesy of FreeBMD.

[20] 1911 Census for 32 Maples St, Nottingham, Nottinghamshire, courtesy of Ancestry.co.uk.

[21] Anon (1920) Wright's Directory of Nottingham and Neighbourhood, Twenty-Seventh Edition, 1920, London: Kelly's Directories Ltd., courtesy of Ancestry.co.uk.

[22] Passenger Manifest for ship Hobson's Bay, London (England) to Sydney (Australia), 30 October 1928, in UK, Outward Passenger Lists, 1890-1960 database, courtesy of Ancestry.co.uk.

[23] NSW Registry of Births, Deaths & Marriages Index entry for James Bostock, 1970, Hornby, Reg No 14672/1970, courtesy of the NSW Government web site.

Thursday, 20 October 2011

Sepia Saturday 97: Geo W Holden, Brother of the more famous Jack

I've long enjoyed the catchy title of Barbara Trapido's book, and this is an excellent opportunity to appropriate it for my own use. The glimpses into the life and career of this elusive photographer that I've unearthed are intriguing, albeit sporadic and far too brief. However, they pale into medocrity beside the bizarre trail of tall tales left by his older brother.

I don't wish to distract either the reader or myself by the adventures of John Watkins Holden (1844-1917), Imperial prestidigitateur - I've taken a small liberty here in calling him "Jack" - so if you wish to read more of him, please visit Old Crone's fascinating account of The Mad Magician. Suffice to say, he was a man of many talents, not the least of which were a keen sense of self-aggrandisement and a tendency to accrue wives and children.

Image © Brecknock Museum & Art Gallery and courtesy of Culturenet Cymru
Pennoyre Mansion, near Battle, Brecon, c.1895
© Brecknock Museum & Art Gallery Courtesy of Culturenet Cymru

This account concerns the younger of the two brothers: George Watkins Holden was born on 3 September 1846 at Peckham in Surrey and baptised on 15 November at Christchurch, Camberwell. Although his brother was born two years earlier at Albany Terrace, Claines, Worcestershire, both were illegitimate sons of Emma Holden (1817-1887), and most likely fathered by the Welsh Liberal politician and Lord Lieutenant of Brecon, militia Colonel John Lloyd Vaughan Watkins (1802-1865). Watkins may well have provided for his mistress and her children - the 1851 Census shows them visiting a house in King Street, Laugharn, Carmarthenshire, and Emma is described as an annuitant.

Image © and courtesy of Google Maps
King Street, Laugharn, Carmarthenshire
Image © and courtesy of Google Maps

There doesn't seem to be much chance that George or John ever saw much of either their father or his grand residence, the mansion of Pennoyre near Battle in Brecon, built c.1846-1848. The colonel's wife Sophia Louisa Henrietta née Pocock, daughter of a baronet, remained ensconced there with her two sisters, childless but attended by a retinue of fourteen servants, until her death in May 1851. By this time Lloyd Watkins' attentions had strayed again, and he had fathered further illegitimate children by another woman.

By 1861 they had moved back to London, Emma described herself as a house proprietor and George, then aged 14, was working as a miniature painter. He disappears from view for a decade or so, although a girl he later claimed as his daughter was born at Ashburton, Devon in late 1866.

Image © and courtesy of John Rivis
Unidentified family, possibly in Yorkshire, c.1874-1878
Carte de visite by G.W. Holden of Windsor
Image © and courtesy of John Rivis

Then in December 1871, a report in The Era described a "portrait of [a] Welsh bullock ... from a photograph by Mr. George W. Holden of Portmadoc." This is the first evidence I have found of his photographic career, and a trade directory confirms that he was operating a studio in the High Street, Portmadoc, North Wales in 1874. The engaging carte de visite portrait of a large, but as yet unidentified family, probably taken somewhere in Yorkshire in the mid- to late 1870s, is by George W. Holden. By this time he was based at 12a William Street, Windsor, Berkshire, but clearly travelling widely in search of clients.

Image © and collection of Brett Payne
St Andrew's Middle Class School, Litchurch, Derby, c.1877
Carte de visite by G.W. Holden of 12a William St, Windsor
Image © and collection of Brett Payne

As early as 1877, when this school photograph including my great-grandfather was taken at St Andrew's Middle Class School in Litchurch, Derby, Holden had identified the niche of scholastic photography as one in which he could specialise.

Image © and collection of Brett Payne

The card mount is very similar, although not identical, to John Rivis' family group portrait. Judging by the remnants of Holden's output that I have found on the net, schools would be his main clients for at least the next two decades.


Class 1, unidentified group of school girls, c.1881-1883
Carte de visite by "Pen aur" G.W. Holden of London, Paris, Bristol & Swansea

In April 1881 George was in Oxford with his daughter Ada, aged 14, and a young wife Emily Ann, aged 21. It seems unlikely they were there for long because, from the evidence of several carte de visites from the early, mid-, and late 1880s, he appears to have been at least partly based at 42 City Road, Bristol. He operated under the "registered title" of Pen aur, an obvious reference to his father's former estates. The fact that his father died virtually penniless in 1887 was, of course, irrelevant from the point of view of self promotion.


It was during this period that Holden started to advertise his "instantaneous portraits of children with a new patent apparatus." Amongst the numerous extravagant and unverifiable claims made were that he was "under the patronage of several members of the Royal family, colleges, yacht clubs, 'Graphic' &c &c," and that he had studios in London, Paris, Bristol and Swansea. His firm of Holden & Co., described as scholastic group and landscape artists, were able to take "views,groups, machinery &c. ... from C de V to life size, in any part of the Kingdom or France at the shortest notice."

While I have little doubt that he was kept a busy man, I view with some suspicion his claims of such a widely distributed branch studio network, supported by a printing works in Bristol. He stated categorically that he used "no agents," and I suspect that, as was common amongst travelling photographers, he listed the locations that he frequented as "studios." Roger Vaughan, in his extensive list of Bristol Photographers, makes no mention of Holden. On one of the carte de visite mounts displayed on Roger's web site, Holden warns, "As the negatives of this photograph is not kept copies should be ordered without delay," an unusual statement among photographers who normally tried to encourage their customers to make return visits.

Image © and courtesy of Sophie Dickerson
Class 1, at Horninglow, Burton-on-Trent, Staffordshire, c.1888-1892
by Geo. W. Holden, Manager of The Elementary Schools Photographing Co. of Leeds & Hull
Image © and courtesy of Sophie Dickerson

An 1887 trade directory suggests that he was operating from "Pennoyre House" in Castle Street, Swansea. Sophie Dickerson sent me this school photo which includes family member Amelia Francis (born c. 1880), probably taken in Horninglow, Burton-on-Trent in the late 1880s or early 1890s. George Holden was by this time probably based in Hull. At least that's where two daughters were born in 1888 and 1889, and card mounts showed him as manager of the The Elementary Schools Photographing Co. at Leeds and Hull, but also visiting an exhausting list of 22 other towns throughout the England, Wales, Scotland and Ireland. There is no mention of Burton!

Image © and courtesy of Stephen Cook
Class 1, at Plymouth, Devon, c.1895
by Geo. W. Holden, Manager of The Elementary Schools Photographing Co. of Leeds & Hull
Image © and courtesy of Stephen Cook

This portrait sent to me of Maud Eva Pike (born 1888) and her class was sent to me by her grandson Stephen Cook, who believes it was probably taken around 1895 in the vicinity of Lipson Vale, Plymouth, Devon, where they lived at the time. Plymouth, for once, is included in the list of places visited by Mr Holden. In the census of early April 1891 his "family" were living in Hull, although he was recorded as a visitor in South Bishop Wearmouth, Durham.

Image © and collection of Brett Payne
Class 6, Mt Street School (?), unidentified location, c.1896-1898
by Geo. W. Holden, The Home & Colonial Photo Co. of Plymouth & Johannesburg
Image © and collection of Brett Payne

The last two examples are from my own collection, purchased on eBay and their provenance is unknown. The first has the locations "Plymouth & Johannesburg S.A." printed on the front and is inscribed in pencil on the reverse, "about 1899 Mt Street Scool [sic]." George Holden married Maud Louise Warnes at Plymouth in early 1894, and a son George Ernest was born at Belfast, Ireland the following year. It seems likely that they returned to the south of England soon after, as I estimate that this class photo is from the late 1890s.

Image © and collection of Brett Payne
Class 11, Gendros School, Swansea, Glamorgan, c.1900-1904
by Geo. W. Holden, The Home & Colonial Photo Co. of Cardiff & Johannesburg
Image © and collection of Brett Payne

In mid-1898 George Holden married Alice Norman, his previous wife's former "mother's help," 24 years his junior, settling in Cardiff, where they were living at the end of March 1901. This example is a slightly larger format mounted print, and has "Cardiff & Johannesburg S.A." printed on the front. The name of the school at which this portrait was taken is written on a large blackboard held up by the children in the front row: "YSGOL Y GENDROS (MORGANWG)" translates, I believe, to "Gendros School, Glamorgan."


Gendros Primary School, Swansea

Gendros Primary School, in Swansea, built in 1897, is still going and, from the look of the buildings seen over the wall in this Google StreetView, may have many of the original buildings - perhaps even the ones that formed the backdrop to my 110 year-old class photo.

I have pondered on the mention of Johannesburg, South Africa on Holden's later card mounts at some length, without coming to any firm conclusion. It is possible he visited South Africa at some stage, perhaps even intending to cater to the large number of troops heading out there during the Boer War. His brother John claimed, in his fanciful book A Wizard's Wanderings from China to Peru, to have travelled widely, and I think it likely that Johannesburg may also have been the the result of George's lively imagination.

George Watkins Holden continued to operate his photographic business out of the family home at 55 Tudor Street, Cardiff from 1907 until his death in 1921, aged 75, probably the longest settled period of his very busy life. He had five children, at least two of them illegitimate, by three different women, and lived for a time with a fourth. All of his partners were a good deal younger than him. They say that apples don't fall far from the tree.

Many thanks to John Rivis, Sophie Dickerson and Stephen Cook for the use of images from their personal collections.

If you, like me, have a penchant for old school photos, I can thoroughly recommend a visit to this edition of Alan Burnett's Sepia Saturday, where this week's charming image prompt depicts a group of young lads on a break from class, being asked to "Look up" by the photographer. A couple of them did! The rest ... well, they did what all school boys do when asked en masse to pose for a school photograph.

References

Alderman, Mari (2006) Victorian Professional Photographers in Wales, Sept 2006, GENUKI

Anon (2007) The Mad Magician (Old Crone Holden), The Family Tree Forum.

Vaughan, Roger (2003) Bristol Photographers 1852-1972.

Sunday, 18 October 2009

All lined up in the school playground in their Sunday best

I have wondered, when looking at old school photographs from the Victorian period, whether the children are wearing their ordinary everyday school clothes, or if an impending visit from the photographer was enough of an occasion for their parents to dress them in their Sunday best. I found mention of poor attendance on school photos day in 1881 recorded in a school log book from the Talgarth district of Powys, Wales (Victorian Powys), ascribing the childrens' absence to their not possessing decent clothes for the special day:
At 11 a Photographer came to take a view of the buildings. A very thin attendance, for some of the children did not come because of this. The Worths & Jones, Trebarried all stayed away at 11, so we stood in the playground that the view might have a lively appearance. The children who were away yesterday came today. I asked them why they were so silly yesterday & it appears it was their clothes that was the drawback.
Image © and collection of Brett Payne
Unidentified group of school boys & master, c.1873-1876
Carte de visite by William Pearson of St Peter's, Derby
Image © and collection of Brett Payne

This carte de visite portrait of a group of 26 boys aged from about 5 up to around 10 or 11 with their master is from my own collection. It was a recent eBay purchase and, as is the case with most such purchases, has sadly lost its provenance. The group is a motley one, and there is clearly no uniform in use, although the appearance of a couple of striped scarves hints at possible school colours. Due to the large range in ages, it seems likely that this was either a small school or even a Sunday School.

The photographer obviously had some difficulty keeping the children still. I estimate from the card mount design and clothing that it was taken in the mid-1870s, say between c.1873 and 1876, when exposure times were still fairly lengthy, measured in terms of seconds rather than fractions of a second. It would not have been an easy task for the master to keep his young subjects' attention on the camera and stop them from fidgeting. He has two boys, probably the most troublesome ones, right by his side where he can keep them out of trouble. Several boys have moved during the exposure. None look particularly pleased with the experience, save perhaps the lad seated at the far right, who seems particularly anxious to demonstrate a devoted attention to his studies.

The brick wall forming the backdrop to the school group portrait is probably a school building but it has not been identified. The window shows a good reflection of another brick wall opposite, and some distance behind the photographer, judging by the apparent brick size.

Image © and collection of Brett Payne
Reverse of carte de visite by William Pearson of St Peter's, Derby
Image © and collection of Brett Payne

William Pearson (1827-1885) was one of Derby's earliest photographers, graduating to that occupation from being a chimney sweep. In fact, he is listed with both professions in several sources through to the early 1860s. He opened his first studio around 1858 and continued to operate in St Peter's, Derby until at least 1881. Although his output does not appear to have been as prolific as the studios of Derby's other early practitioners, such as that of James Brennen, the quality of his portraits was quite acceptable. Pearson is recorded as taking mug shots of prisoners at Derby Gaol in April 1863, and perhaps the venture into school portraiture was another attempt to expand his clientele and drum up new business.

Image © and collection of Brett Payne
Detail from reverse of carte de visite
Image © and collection of Brett Payne

The most interesting feature of this carte de visite only emerged after I had sent scanned images of the front and reverse to friend and photo-sleuthing collaborator Nigel Aspdin. The sharp-eyed Nigel noticed there appeared to be something hand written on the reverse of the card mount. Although it wasn't clear from the detailed scan, I took out the original photograph and, by holding it at an angle to the sunlight, I was able to make it out as:
E. Bostock
Kensington Street
Uttoxeter Road
The natural assumption is, of course, that E. Bostock was one of the subjects of this group portrait. However, I was already aware that one Erasmus F. Bostock operated as a photographer in Derby in the latter part of the 19th Century, so I checked my notes. Indeed, Erasmus was living with his parents at 12 Kensington Street, off Uttoxeter Road, in the parish of St Werburgh, Derby, at the time of both the 1871 and 1881 Census.

An 1881 trade directory entry and the census enumeration of that year are the first records I have found of Bostock working as a photographer, at which time he appears to have been in partnership with a Mr. Carr, with premises at 8 Macklin Street. I also know that Bostock specialised in school portraits, from the existence of several cabinet cards from the late 1880s and early 1890s marked, "E. Bostock, Photographer of Schools, &c. Derby." It now seems likely to me that Bostock initially trained as a photographer in the studio of William Pearson, familiarising himself with the trade before opening his own business. Photographers had to learn their trade somewhere, and where better than as an assistant, and employee, in an established operation.

Much less information survives about the early careers of photographers, when they were usually training as photographic assistants. While census records might give their professions, they hardly ever show who they worked for, and trade directory entries provide the names of the proprietors, very rarely those of their employees. Anecdotal evidence is sometimes available. For example, the career of well known Derby portraitist W.W. Winter started with him being an assistant in the studio of E.N. Charles. After Charles died in 1863 his widow ran the studio briefly with Winter's help; she married him in 1864, and he took over the studio thereafter. Sadly, little detailed knowledge of studio history such as that preserved for W.W. Winter Ltd. exists for other Derby studios, so information such as this snippet from Bostock's early career are important.

Image © and courtesy of Stuart Axe
Boys from Chelmsford Charity School, 1862
Image © and courtesy of Stuart Axe

I've had some difficulty in determining when school photography became commonplace, and I would appreciate hearing from readers who have or know of such portraits from the 1860s or earlier. The rather nice portrait included above, from Stuart Axe's Flickr photostream, shows a uniformed group of boys at Chelmsford Charity School in 1862. All of those in my collection, however, are from the 1870s or later.

Apart from Bostock, there do not appear to have been any other Derby photographers who specialised in school photography. George W. Holden was a wide-ranging scholastic specialist from Windsor who is known to have plied his trade in Derby around 1877. Benjamin Brough from Chesterfield advertised his services as a "Lanternist and Photographer, Schools & Gentlemen's residences, &c." in the 1880s, but is unlikely to have ventured as far south as Derby. R.K. Peacock, Gibson & Sons and W.W. Winter - and possibly others - took school photos on occasion during the 1890s and later, but did not specifically advertise this service.

References

Extract from Lanfilo School Log Book, 20 Feb 1881, on Talgarth & District - Victorian School Days, on Victorian Powys

Extracts from Derby Borough Police Watch Committee Records, Derby Local Studies Library, courtesy of Mike Baker

Kelly's Directory of Derbyshire, 1881, Kelly & Co., London. publ. on microfiche by the Derbyshire Family History Society.

Stuart Axe's Flickr Photostream

Friday, 11 September 2009

School Days in Den Haag

17th Edition of the Smile For The Camera - School Days

Hoping to sneak in unnoticed at the last minute, I'm submitting this short photoessay as my contribution to the 17th Edition of the Smile For The Camera carnival, "School Days" hosted by the footnoteMaven at Shades of the Departed.

Image © and collection of Brett Payne
Hendrika Louisa Schipper (1894-1981)
Unidentified print taken c. 1913
Image © and collection of Brett Payne

The photographs from my own family collection which I've featured on this blog in the past have mostly tended to come from the English side, to the detriment of my mother's Dutch heritage. Today I thought it would be nice to include a series of group portraits featuring my Oma - in other words, my maternal grandmother - first as a young scholar, then as a student at teacher training college, and finally as a teacher in charge of her own class of young boys and girls.

Image © and collection of Brett Payne
Class Photograph (Hendrika Louisa Schipper fourth from left in middle row),
Unidentified school, Den Haag, Netherlands, c.1902-1904
Image © and collection of Brett Payne

My Oma Hendrika Louisa Schipper was born at 's Gravenhage on 14 May 1894, the youngest of four children of Jan Schipper (1857-1921) and Hendrika Antonia Annetta Helena de Graaff (1854-1934). They lived in Den Haag (The Hague) where her father was secretary to the Director of the Cabinet of Queen Wilhelmina. The first two class photos were obviously taken at the same school - the windows of the building which forms the backdrop appear to be identical - but probably a couple of years apart. In the first I estimate that she is aged about nine, so it must have been taken around 1902 to 1904. Apart from my grandmother, there are two adults, presumably both teachers, and forty four other children.

Image © and collection of Brett Payne
Class Photograph (Hendrika Louisa Schipper third from right in middle row of six girls),
Unidentified school, Den Haag, Netherlands, c.1905-1908
Image © and collection of Brett Payne

The second group shows her three or four years older, so was probably taken between 1905 and 1908. One of the two adults is the same man who was there two years earlier, so he is perhaps a headmaster rather than a class teacher. Several of the boys and girls from the first portrait are clearly identifiable in the second. I only spent a few minutes comparing them, and was able to comfortably correlate three or four, but I wouldn't be surprised if there are far more.

I don't have records of where she went to primary and secondary school but I know that after completing her ordinary schooling she trained as a teacher. I have photocopies of several documents relating to this part of her education as follows:
1912 - Needlework Examination Results
11 Mar 1912 - Primary School Teacher's Certificate
18 Nov 1912 - Primary School Teacher's Certificate
1913 - French Language Exam Results
23 Apr 1913 - Pre-School Teacher's Certificate
23 Apr 1913 - Examination Results
27 Aug 1913 - Primary School Teacher's Certificate
16 & 17 Aug 1915 - Examination Results
17 Aug 1915 - Headmistress Certificate
Image © and collection of Brett Payne
Group Photograph (Hendrika Louisa Schipper third from left in back row),
Foto Americaine, Wagenstraat 10, Den Haag, Netherlands, c.1915
Image © and collection of Brett Payne

The next two photographs are from this period that she was training to be a teacher. I know that because one of them (that shown above) was given to me a few years ago by Martje Knoester, whose mother-in-law trained as a teacher with my grandmother. The postcard style group portrait was taken in the Foto Americaine studio at Wagenstraat 10, Den Haag.

Image © and collection of Brett Payne
Group Photograph (Hendrika Louisa Schipper third from left in back row),
Unidentified teacher training school, Den Haag, Netherlands, c.1913
Image © and collection of Brett Payne

The next is a larger group, and judging by the fact that my grandmother looks slightly younger, was possibly taken slightly earlier than the previous one. It has been taken indoors, but it is not clear whether in a studio, at the school where they were studying or another location altogether.

Image © and collection of Brett Payne
Hendrika Louisa Schipper with her class
Unidentified school, Den Haag, Netherlands, c.1916-1918
Image © and collection of Brett Payne

The final two group photographs show my grandmother as a teacher surrounded by her pupils. The first - I only refer to it as the first because she appears to me slightly younger in this one - is a larger group of twenty four children (ten boys and fourteen girls) aged perhaps 12 or 13 years old. They are arranged standing and sitting on the steps in frontog large wooden double doors in a brick wall, with my grandmother seated on a chair.

Image © and collection of Brett Payne
Hendrika Louisa Schipper with her class
Unidentified school, Den Haag, Netherlands, c.1917-1920
Image © and collection of Brett Payne

The second appears to be at the same location (although the doors are open) and is probably a year or two later. The class is a slightly smaller one - 22 instead of 24 - composed of slightly younger children, aged about nine or ten. This time there are more boys than girls.

On the 23rd December 1920 Hendrika married my Opa Dirk Smit (1895-1985) in Amsterdam. Their first child (my uncle) only arrived in 1926, so she may have carried on working as a teacher for a few more years - I'm not sure about that. However, there don't appear to be any more class photos for the period of her life after she was married.

Sunday, 14 September 2008

More photos from St James' Board School

In a previous article I featured a class photograph at St James' Board School of New Normanton, near Derby, taken between 1898 and 1900, which included my grandfather Charles Leslie Lionel Payne (1892-1975). I have since discovered another class photograph in the family collection which, although it is not marked thus, I believe must have been taken at the same school, but almost two decades earlier.

Image © and courtesy of Barbara Ellison

The class photo shows a group of 43 boys, aged about 9 to 13, and two masters. I believe I can identify my great-grandfather Charles Vincent Payne (1868-1951), seated in the front row, third from right, and his younger brother Charles Hallam Payne (1870-1960), in the middle row, fourth from left. They look to be aged about thirteen and eleven respectively which, if I am correct, suggests a date of around 1881-1882. I featured another class photograph of Charles Vincent in an earlier Photo-Sleuth article, taken c. 1877 at St Andrew's Middle Class School, Litchurch. The Board School was built in 1879, and the Payne family returned from an American sojourn in late 1880 or early 1881, so the 1881-1882 date fits the family circumstances well.

Image © and courtesy of Barbara Ellison

The reverse of the cabinet card mount bears the mark of Erasmus Bostock of Derby, a photographer who specialised in schools.

Hilary Booth recently got in touch with me after reading the article, "I have two similar photos in my possession and wondered if you would like to see them."

Image © and courtesy of Hilary Booth
Francis Richard Porter (seated second from the left, in the second row from the front) was the son of Francis and Mary Porter who lived on Dale Road, Derby. Mary Porter ran a shop, converted in the front room of her house, number 66, while Francis was a waggoner at a brewery. This must have been taken just before Francis Richard died aged 6. I can't make out the reading on the board but I know it was St James Road School as my grandmother told me. Francis and Mary's Children were Harriet, Emily, Francis, Herbert and my grandmother Sarah Alice.
From my research of census records (Source: Ancestry) and the FreeBMD index of birth and death records, I was able to determine that Francis Richard Porter was born at Derby in late 1887 or early 1888, and died there 1894.

Image © and courtesy of Hilary Booth

From the back stamp on the card mount, it appears that the class photo was taken by R.K. Peacock (1844-1893) of The Spot Studio, St Peter's Street, Derby. Previous research presented in my profile of this photographer shows him to have occupied these premises from c. 1889 until his death in late 1893.

Image © and courtesy of Hilary Booth

Unfortunately, the text written on the slate is very indistinct. With digital enhancement I was able to decipher some of it - perhaps, "St. James' Rd. Bd. School," but the last line is illegible. However, I believe that it must have been taken just before Francis Richard Porter's death, probably in early to mid-1893. The windows and brickwork in the photograph appear very similar to those in the previously posted class photo, taken about 5-7 years later.

Image © and courtesy of Hilary Booth
The second picture is of a young Herbert Porter (second from the right, in the top row), about ten years old. He was also the son of Francis and Mary, born in 1891. This picture clearly says that it was taken in 1901. Herbert died in 1932 aged 41.
Image © and courtesy of Hilary Booth

My enhanced version of this slate is much clearer, showing the following text: "St James Road Board School, Stand V, July 4th 1901." Herbert Henry Porter (1890-1932) is shown aged ten in the 1901 Census, which was taken on 31 March.

Hilary's family continued to have an association with the school for many years:
My mother Vera also attended St James School, which later went on to become called Hardwick School. My sister Annette and I both attended Hardwick Junior School for girls and Hardwick Secondary School. We lived and grew up in the area and were obviously very familiar with the school and the surrounding area. Just before the school closed for demolition they had an 'open day' where old school members were allowed to go round the building and contribute to memorabilia which was posted around the school. It was a lovely trip down memory lane.
Many thanks to Hilary for her contributions of images and memories.

Monday, 4 August 2008

A group of schoolboys in 19th Century New Zealand, possibly Dunedin

I acquired this carte de visite with a small group on TradeMe, the local version of eBay.

Image © and collection of Brett Payne

The group of 27 young boys, all aged about eight or nine, is unfortunately not identified. They are seated and standing in front of a wooden building with weatherboard cladding, which may or may not be a school house. There appear to be some other wooden structures and a bare earth bank behind or to the side of the building.

Image © and collection of Brett Payne

The reverse of the card mount has a stamp of a scroll with the name of the studio, the American Photographic Company. Unfortunately it does not provide a location and there were several studios of this name in existence at this time. I am presuming, of course, that the photograph was taken in New Zealand. The provenance and the housing style gives some justification for this assumption. The Auckland Library's Photographer's Database gives details of the following possible candidates:

- American Photographic Company, 194 Queen Street (cnr of Wellesley Street East), Auckland Central, c1869-1876
- American Photographic Company, 168 George Street, Dunedin, 1883-1884
- American Photo Company, Next door to the Commercial Hotel, Lawrence, 1897
- American Photo Co, Farley's Hall, Princes Street & Georges Street, Dunedin, 1890-1899
- American Photo Co, Manners Street, Wellington, 1902

The clothes worn by the boys, and the style of design on the reverse, suggest to me a possible date of some time in the 1880s. If I am correct, then the most likely candidate studio is the one at 168 George Street in Dunedin, which operated from 1883 to 1884.

Image © and collection of Brett Payne

Another carte de visite in the same group purchased together is a view of what appears to be a recently built house on a leveled terrace in front of a high bank, with buildings at the back and on either side. A woman stands in front of the fence and a small carriage is parked on the right hand side of the house. The woman's clothing also appears to correlate with an 1880s date. I'm not at all familiar with the topography of Dunedin, but perhaps a reader could let us know whether the photographs could come from there.

Thursday, 12 June 2008

St James' Board School, New Normanton, Derby

Regular Photo-Sleuth readers will perhaps have noticed my penchant for school photographs. This is another example from my own family's collection. It actually belongs to my aunt, but I'm sure she won't mind my reproducing it here.

Image © and collection of Barbara Ellison

The large format photograph appears to have been trimmed, perhaps to fit in an album, and now measures 153 x 110 mm. It depicts a group of 32 boys and two young women teachers arranged in front of a large brick building.

Image © and collection of Barbara Ellison

There is an "X" inked on the photograph above a boy in the back row (third from the right), and a note on the back, written by my aunt, states that "X = Dad C.L.L.P." i.e. my grandfather Charles Leslie Lionel Payne (1892-1975). One of the boys seated on the ground in the front row is holding what appears to be a slate, and it is possible that this originally had the school and class number or name written on it.

Image © and collection of Barbara Ellison

I've tried to enhance the image of the slate, but nothing is visible now - perhaps there never was anything written there. However, an additional note on the reverse by my aunt, "School Group St. James," identifies it as St James' Board School, which was situated on the corner of St James' Road and Hastings Street in New Normanton, close to where my grandfather's family lived in the 1890s and early 1900s. My father wrote the following notes in December 2001 (the notes in square brackets thus [] are mine):
My father [i.e. CLLP] always talked about having been a pupil "at Abbey Street," and it’s probable that he went there from the Hastings Street school which Slater – in his house numbering diagram – calls "St James’ Board Schools (erected 1880)." When did he move up? – When he was 10, before the Abbey Street institution became the D.M.S.S.? [which was in 1903 or 1904]
All of the boys look to be of approximately the same age, which I would guess is about seven years old. My grandfather was born on 9 April 1892, so if my estimate is correct within a year either way, then the photo would have been taken c. 1898-1900. The styles of clothing worn by the two young women teachers in the photograph are about right for this period.

St James was built by the Derby School Board in 1879 and 1880 at a cost of just under £12,000 and initially catered for 750 children (Source: The Derby Mercury, dated 20 March 1878 and 23 Feb 1881). The school's first boys' head master was James Edward Kaye, while the girls' mistress was Miss Edith Wright, and Miss Elinor Crighton was the infants' mistress. T. Bulmer's 1895 History, Topography and Directory of Derbyshire (from an extract in Bulmer's Derby 1895, reprinted by Derbyshire County Council in 1988, ISBN 0 903463 26 1) shows Mr. Kaye and Miss Crighton still in the same positions, while Miss. Mary A. Harsley had become head mistress of the senior girls, and Miss Harriet G. Martin, the head mistress of junior mixed.

Image © & Courtesy of the University of Leicester's Historical Directories

In that year (1895), according to Kelly's Directory of Derbyshire for 1899 (see extract above, courtesy of the University of Leicester's Historical Directories) the school was enlarged so that by 1899 it had an average attendance of 1864 children, comprising "442 senior boys, 370 senior girls, 357 junior boys, 255 junior girls & 430 infants." The only senior staff change in the previous four years was that Miss Eliza Hall had replaced Miss Crighton as the infants' mistress.


View Larger Map

The original Derby Board School buildings were recently demolished and replaced with a brand new school (see satellite image above). However, I was very lucky that a few years ago Derby resident Paul Slater very kindly took some photographs of the St James' Road Board School for me. I am very grateful to Paul for these and have reproduced them below.

Image © and courtesy of Paul Slater
St James' Road Board School, corner of Hastings Street & St James' Road, Normanton, Derby, January 2000
Photograph & Image © and courtesy of Paul Slater


Image © and courtesy of Paul Slater
St James' Road Board School, corner of St James' Road & Dover Street, Normanton, Derby, January 2000
Photograph & Image © and courtesy of Paul Slater


Image © and courtesy of Paul Slater
St James' Road Board School, St James' Road, Normanton, Derby, January 2000
Photograph & Image © and courtesy of Paul Slater
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